Curriculum Vitae & Artist Statement

Bradley D. Miller

2125 South 61st Ave, Omaha, Nebraska 68106  •  brad@bdmillerart.com  •  www.bdmillerart.com

EDUCATION

1992-1996 Austin Community College
1996-1998 University of Texas at Austin
2005-2009 University of Nebraska at Omaha
Bachelor of Arts, Studio Arts

SELECTED GROUP EXHIBITIONS

Nov 2009 Snap to Grid
Los Angeles Center for the Digital Arts
Los Angeles, California
Rex Bruce, Curator
Nov 2009 Annual Bemis Underground Fund Raiser
Bemis Center for Contemporary Arts
Omaha, Nebraska
Jan 2011 An Exchange with Sol Le Witt
Massachusetts Museum of Contemporary Art
Boston, Massachusetts
Regine Basha, Curator
Mar 2011 80 Square; Middle State Tennessee University Fund Raiser
Tinney Contemporary Gallery
Nashville, TN
Sisavanh Houghton, Art Director
Apr 2011 Pencils, Paintbrushes & Possibilities
The Arts Center of the Capital Region
Troy, NY
Liz Coleman, Development Coordinator
Aug 2011 Parts of the Whole
13th Street Gallery/ Hot Shops
Omaha, Nebraska
Kelly Adams, Curator

SELECTED SOLO EXHIBITIONS

Aug 2010 Signs
Hallway Gallery/ Hot Shops
Omaha, Nebraska
Kelly Adams, Curator
Sep 2010 Signal
Blue Barn Theatre
Omaha, Nebraska
Susan Clement-Toberer, Artistic Director
Oct 2010 Reveal
Corning Center for the Fine Arts
Corning, Iowa
Jody Boyer, Curator

GALLERY REPRESENTATION

Feb 2011 to Present
Gallery Nine
Lincoln, NE
Roy Stoner Art Chair/ Judith Andre Owner

PUBLICATIONS

An Exchange With Sol LeWitt
“Dusk” page 116
Regine Basha, Printed Linco Press
ISBN#978 1-932698-52-7
2011 Cabinet Books & Mass MOCA

PRIVATE COLLECTIONS

John Maga, Milwaukee, Wisconsin
Malisa Radke, Omaha, Nebraska
Mary Woodruff, Bothell, Washington

Bradley D. Miller

Artist Statement

While exploring different collage techniques in 2008, I began to digitally alter my own photographs by progressively layering, blurring and stretching areas within the photos to create new textures and shapes. My work is a two part process. First I photograph found instances of pattern, color and texture. Once these photographs are digitally rendered, I then progressively layer and blend areas of interest into new assembled pieces.

The intended result of this process is a rebirth and recycling of our world where the familiar shapes and symbols of our own lives are recycled into a new structure and surface.